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For
Librarians & Publishers
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Welcome!
Digital Book Index began in 2000 as a "checklist" or "handlist"
for books that had been converted to digital format that were now available on the Internet. It evolved, somewhat accidentally and
quite quickly, into a more full-blown index to what is "in
print" via the Web. Shortly after inception,
what to include – free books only or books for purchase –
became a significant question. While those of us from the library, publishing,
and bookselling world were familiar with ‘Books In Print,’ ‘Subject
Guide to Books in Print,’ and related publications that provided
information on new books from publishers, and Union catalogs,
databases, and other bibliographic tools from the library world
that detailed the locations of books at various institutions, in
the ‘Web’ world these boundaries seemed artificial. Whether a
particular work is available through the internet seemed to be the
key question. Simply put, "Is the book available on the Web,
and in what format?"
Thus, DBI has become both a
"virtual library" and a "virtual bookstore,"
combining two historically parallel systems for locating books for
the reader or researcher: the library card catalog or database (after publication) and "Books-in-Print" type
publications (pre-publication or current). Within limitations, no
longer does a reader have to walk down to the library or the
bookstore, both quite remote in many countries. He or she only has
to turn on the computer to find a title, including tens of
thousands of "out-of-print" books, now again
"in-print," electronically, courtesy of thousands of web
publishers.
What will you find here? (our 'collection policy'):
More than 100,000 popular, scholarly, business, technical,
reference, children’s’ books and stories, as well as
historical and literary documents – all forming a core library
of both classic primary texts and an extensive library of
secondary sources. Digital Book Index
has been built in the same
manner as most traditional libraries have been built, with two
principal methods of collecting: (1) As collections become
available, we include them in the index.
And, (2) as is the task of most acquisition librarians, when we see a
gap in a subject area, we go looking for key documents or titles
to round out specific subject holdings. The
singular difference between DBI and most traditional libraries is
‘time’: while it took 100 or 150 years to build a strong
traditional library, its electronic equivalent is being assembled
in 5, 10, or, perhaps, 20 years – an extremely short period of
time. As we have seen from Google and other projects, the pace of
change is quickening.
These texts and works come from two primary sources: (1)
University and other institutions (public libraries, historical societies, botanical
gardens, etc.) that have been building
on-line digital collections; and (2) quality sites built by ‘enthusiasts’
or ‘amateurs’ (in the old-fashioned sense). A good example of
the latter would be the ‘Sacred Texts’ site at www.Sacred-Texts.com,
which has been assembling an extensive and interesting collection in
"belief systems" (i.e., religion, historical sagas,
anthropological texts, etc.) We have come to rely more and more on
sites that have established institutional connections since these
sites tend to be more ‘stable’ in their hosting and in their
URLs (links). Some ‘enthusiasts’ sites keep moving and
changing their links, which makes it considerably harder to
maintain a permanent archive and link structure.
Site visitors may observe an imbalance in subject collections
since DBI
does not control what is published on the web – we can only index what
has been published. We note that those collections that have
been posted to the web reflect the individual strengths of the
sponsoring institutions. Cornell University, for example, has
posted fundamental and core collections on agriculture and on (the
now quaintly worded) Home Economics. It has also posted a small
collection of books on wine-making, and another of about 150
titles on mostly-English witchcraft from the 17th and 18th centuries – works that could only be examined
previously by a trip to Cornell, or perhaps Harvard or Yale in the United
States, or Cambridge, Oxford, or the British Library in Britain.
(Cornell also participated, along with the University of Michigan,
in the groundbreaking 'Making of America' collection, which
attempted to post a typical 19th century library of books.)
The Missouri Botanical Gardens has posted books on botany, as have
the University of Wisconsin and other sites. Florida is quite
active in ‘environmental’ studies. The Wisconsin Historical
Society and the University of Gottengin have been active in
exploration and discovery in the early modern period. Harvard’s ‘Working
Women’ collection is not only a collection on the history of
women, but an extremely valuable archive of Progressive-era (late
19th c to mid-20th c.) research
and original documents. Taken collectively, some of these
categories represent the "best" and the
"brightest" from collection developers, bibliographers,
and scholars. As more collections are posted to the web, this
worldwide library of electronic books will likely become broader
and more balanced in subject matter.
Exclusions: We do not see it as our task to catalog every
iteration or "reprint" of a particular text. Many
titles, especially those produced by the Gutenberg Project, have
been converted to various formats and posted on sites around the
world. We do not attempt to incorporate every version or every
copy; we only attempt to locate reliable versions in the most
common formats or in electronic facsimile of the original work
(i.e., graphic format).
With one or two exceptions, we do not attempt to catalog the
holdings of various subscription services such as ProQuest, Readex,
Thompson-Gale or Chadwyck-Healy. Most of the titles included here
are publicly accessible, thus forming a ‘library’ largely of
basic texts available to site visitors from literally anywhere in
the world. (The two principle exceptions are NetLibrary, which is
accessible through many U.S. college and university gateways, and
Questia, a subscription service open to the public.) We have no
‘philosophical’ disposition towards excluding these services,
we just have had little cooperation from these commercial
collections.
DBI or Google?: The principle difference between search
services such as Google or Yahoo and DBI is that DBI tries to
present access to books through an "organized" or
structured gateway, while Google and Yahoo provide access to books
using a "random" method. Both methods have their virtues
and limitations. The real danger, however, of the Google/Yahoo
model presupposes that in-depth knowledge can be absorbed in the
30-second-sound-bite-attention-span of 'multi-tasking,'
post-modern society. Reading a random paragraph or several pages
does not provide the kind of understanding or logical thinking
required of reading a book.
Bibliographic Control: DBI cannot be relied upon for
accurate ‘bibliographic control’ of editions and titles. For
accurate information regarding such issues, visitors must still go
to the standard bibliographic tools (some now included here) that
provide accurate bibliographic information regarding individual
works. (For a quick search, we frequently use the Library of
Congress search page at its on-line catalog: http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?DB=local&PAGE=First
) However, we have included basic bibliographic
information – pub year and place-of-publication, or edition –
when that information has been provided by the hosting site. (The
many university and institutional sites hosting books have become
much clearer and more accurate over the last two years, finally recognizing
the needs of bibliographers and catalogers.) At other
sites, we have relied on the information included in the original
electronic text when that has been provided. In some cases, we
have simply identified the original year of publication to give
readers an indication of a particular text’s place in publishing
or literary history.
Extent of works included: A substantial body of 19th and
early 20th century (pre-copyright) works are now available on the web. An
increasing number of later 20th century (copyrighted)
titles are becoming available through subscription services such
as Questia, NetLibrary, and Ebrary (not indexed here). A small
number a of "contemporary" books are becoming available
directly from publishers (Random House, Simon & Schuster,
etc.) or online bookstores, as commercial publishers experiment
with electronic distribution, frequently in Adobe eBook or Ms Reader
format.
Publishers and authors have a legitimate interest in
protecting their intellectual property from theft, and the
publishing industry itself has yet to embrace a wholesale
transition to electronic publishing, not knowing how to avoid
cannibalizing its existing sales of printed books. Over time,
these issues will become resolved as publishers are dragged into
the 21st century, perhaps kicking and screaming.
Finally, we have to apologize to our foreign (i.e., non-U.S.)
site visitors, who will find a collection skewed strongly in the
direction of ‘American’ subjects. This is, in part, an
accident of history. It still appears that the fullest
English-language collections are being built in the United States,
and increasingly so in Britain, perhaps due to the funding
available to U.S. institutions. While we have generally limited
our indexing to English-language titles, some exceptions are being
made for key documents or texts still only available in
non-English languages. Mention must be made of the very excellent
collections now available to French- and German-language readers,
and we only wish that such collections could be incorporated here,
were our resources and volunteer support not limited. (Information
regarding foreign-language collections can be found on our ‘main
menu’ page.) Mention should be made of the
"million-book" project hosted at both the Digital
Library of India and Carnegie Mellon University. We are cataloging
that collection, slowly, due to the still-poor bibliographic and
link control of the collection.
Copyright: DBI cannot
take responsibility for establishing the copyright status
of a particular work in any legal jurisdiction any more than ‘Books-in-Print’
can. Some works still under protection in the United States (or
any other country) may be freely available in other countries and
accessible through the web. Eventually, copyright protection must
become more international. Despite the flagrant abuse of copyright
in the music world, site visitors must become aware that an
‘author’ has to be able to maintain a method of earning an
income from his labor. If one asks a carpenter or plumber to come
and repair one’s home, that person is entitled to be paid for
his or her work. Reading a book or accessing information built
from the labor of authors, historians, or researchers is no
different. Undermining of the traditional understanding of
copyright will only result in the disappearance of intellectual
labor and the promotion of various forms of advertising, infomercials, political
or religious proselytizing, etc. Site visitors are
urged to respect the copyright designations of a particular work
published at a particular location.
The Future: After 500 years, we are coming to the end of
the ‘Gutenberg’ world of movable type and centrally
printed books. What’s replacing that world is still a little
fuzzy, but it appears to be a more plastic world of the web-book,
one which is (1) continuously updated, (2) where the concept of
‘edition’ may be obsolete, (3) and where permanence, archival
storage, and copyright protection become significant issues.
Experimental editions of traditional books have been developed at
the University of Virginia and elsewhere that attempt to
incorporate a much broader range of media (photographs, music,
ephemera, etc.)
As web access to traditional books becomes broader, the pressure
to de-acquisition printed books will increase as the financial
burdens of maintaining bricks-and-mortar library buildings, heating and
air-conditioning, and staff salaries weigh heavily on institutions such as universities and public
libraries. As digital collections become more prominent, such
institutions – especially those dependent on tax-payer funding
– will come under increasing pressure to reduce their holdings.
Over time, it will be the task of the library community to
redefine the role of the "library" and to maintain
enough copies of printed books to be able to verify
their original content. Library organizations must face those
questions now and establish long-term archival solutions while the
supply of printed books is ample to make intelligent
decisions.
More information: A very interesting and useful review of
existing electronic resources in American Literature was
recently published by the Digital Library Foundation's Council on
Library & Information Resources (Washington, D.C., Sept.
2005). Titled "A Kaleidoscope of Digital American
Literature" the report was funded by the Andrew W. Mellon
Foundation and prepared by Martha L. Brogan, a library consultant,
and Daphnee Rentfrow. While focused on American Literature, the
conclusions of the report could be applied generally to the state
of digital and electronic publishing in general. The report can be
found at: http://www.diglib.org/pubs/brogan0505/
A small number of additional articles can be found on our subject
menu page under Libraries & Librarianship.
Than you for visiting. We welcome your comments and
suggestions.
Thomas R. Franklin
Publisher
Webmaster@DigitalBookIndex.com |
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Copyright (C) 2000–2005 Digital
Book Index
Page last updated: Nov. 4, 2005
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